Friday, October 15, 2010 went on stage at the "Teatro Pergola in Florence performance audiovisual datamatics 2.0" Ryoji Ikeda.
The location of the "Teatro Pergola makes worthily justice to the work of Ikeda who joins in the canon law of electronic musicians like Stockhausen, Maderna ... As researchers of an evolution of sound.
Taking place in a sold out audience, composed mainly by young people we are in front of a screen and a beautiful sound system.
The sound of "datamatics 2.0" is generated by synthesizers and is composed primarily of frequencies and waves which are composed of numeric and mathematical fragments that come to life visually on the screen; In our eyes you build a universe, a new "live" and unique in itself. Life is mathematics, mathematics consists of numeric codes generated by the same synth sound waves are nothing but numbers of frequencies that are made mathematically.
"Datamtics 2.0" is a work of art that blends perfectly aesthetically music and video.
's rare to enjoy performances of great beauty and sensory intensity that has to reflect on the work of many "electronic guru" that inflated the program of the national electronic festivals.
LORIS VOODOO
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